The Paradox of Democracy in the Western Modern Design Movement—Thinking about the Megastructure
Abstract
As the beginning of a new type culture, the movement of modernism signify break with traditional culture, it reshaped the aspects of people’s lives with innovators attitude. In this process, the modern design masters as a preacher with the pious attitude, they actively establish the value system of their own, and set a footnote in the earth to the design scheme of the huge amount of practice. In order to find suitable aesthetic form for new materials and new technology, they throw themselves into the logical relation between technology and function. However, at the very nature level, such design system under the guidance of materiality, apparently ignored the diverse needs of people in biological and psychological factors, so that the starting point of democracy increasingly untenable. Especially in the mega structure landscape later, the designer has evolved into an arbitrary image of the creator, and toward the opposite of democracy under the guidance of capital.References
[1] Jonathan M. Woodham (2012). Twentieth-Century Design, Translated by Bo Zhou, Ying Shen. Shanghai: Shanghai People’s Publishing House, pp.43.
[2] Reyner Banham. A concrete Atlantis: U.S (1986). Industrial Building and European Modern Architecture,1900-1925. Cambridge, Mass.: MIT Press.
[3] Frank Lloyd Wright (2010). Wright on American Architecture, Translated by Yong Jiang, Zhentao Li. Beijing: China Industry Press, pp.242.
[4] Minan Wang (2012). Modernity. Nanjing: Nanjing University Press, pp.22.
[5] Rem Koolhaas, Delirious New York (2015): A Retroactive Manifesto for Manhattan, Translated by Keyang Tang. Beijing: Sanlian Book Store, pp.269.
[6] Reyer Banham (1976). Megastructure: Urban Futures of the Recent Past. New York: Harper& Row, pp.84.
[7] Arata Isozaki (2001). Unbuilt. Beijing: China Building Industry Press.
Authors contributing to this journal agree to publish their articles under the Creative Commons Attribution-Noncommercial 4.0 International License, allowing third parties to share their work (copy, distribute, transmit) and to adapt it, under the condition that the authors are given credit, that the work is not used for commercial purposes, and that in the event of reuse or distribution, the terms of this license are made clear. With this license, the authors hold the copyright without restrictions and are allowed to retain publishing rights without restrictions as long as this journal is the original publisher of the articles.
