On the Evolution of the Expression form of “House” in Ancient Chinese Landscape Painting

  • Xin Li Zibo Vocational Institute
Article ID: 2558
57 Views
DOI: https://doi.org/10.18282/l-e.v10i4.2558
Keywords: Landscape painting, Point view “house”, Form of expression

Abstract

This paper studies the evolution of the forms of expression of landscape painting “houses†in different historical periods from Sui, Tang, Ming and Qing Dynasties. Through the research, it is found that the expression forms of Chinese landscape painting “house†in different historical periods are different. The reason is not only the author’s own reason, but also greatly affected by its historical and cultural background. Art is inseparable from history and culture. Culture is restricted by social development. Social background, cultural background and art development restrict and derive from each other, support and develop each other.

References

[1] Yu Jianhua.Chinese Painting Theory Series [M].Beijing People’s publishing house,1968.

[2] Xu Huafang,Yang Chongxiao.Pavilion of China [M].Beijing:Light Industry Press,1983.

[3] Zong Baihua. aesthetics and artistic conception[M]. Beijing: People’s publishing house,1987.

[4] Zhong Huanan.inheritance of Pavilion: collection of architectural culture [M].Taiwan:Taiwan Commercial Press,1989.

Published
2021-12-08
How to Cite
Li, X. (2021). On the Evolution of the Expression form of “House” in Ancient Chinese Landscape Painting. Learning & Education, 10(4), 152-153. https://doi.org/10.18282/l-e.v10i4.2558
Issue
Vol. 10 No. 4 (2021)