Female Images in Female-Directed Chinese Films.
Abstract
This essay takes the representation of females in major Chinese female-directed films since the new period as the research subject. Until the development of Western feminist theory, female images in Chinese films were not studied critically. With the coming of a new period, accompanied by reform and women’s liberation movement, the Chinese film industry has created a great number of new female images. These films highlight its charm as a visual media due to the handling of the female image on the screen; in the way filmmakers re-presented with greater awareness the importance of correctly introducing and handling female images on the screen.References
[1] Beasley, Chris. (1999). What is feminism?. London: Sage.
[2] Roves. M, Edwards. L. (2010). Women’s Movements In Asia. Milton Park, Abingdon, Oxon: Routledge.
[3] Rowbotham, S. (1992). Women in movement: Feminism and social action. New York: Routledge.
[4] Edwards, L. (2000). Women’s Suffrage in China: Challenging Scholarly Conventions. Pacific Historical Review, 69(4), p.617-638.
[5] Dong, Liming. (2005). Feminism: Indigenization and its Degree. Shanghai: Nankai Journal, (2).
[6] Dai, Jinghua. (1994) Female images in Contemporary Chinese Movies and Female Movies. Contemporary Film, (6), p.37-45.
[7] Chen, D. (2013). Research on the Female Image of Chinese Main Melody Movies since the New Period (1987-2012). Graduate student. Xinan University.
[8] Horner, A. and Keane, A. (2000). Body matters: Feminism, textuality, corporeality. Manchester: St. Martins’ Press.
[9] Meng, Jingjing. (2012) Visible Women —Li Yu Female Film Research. Graduate student. Shanghai Theatre Academy.
[10] Lu, Yanjun. (2017). Research on Female Image in Li Yu Film. Graduate student. Yunnan Normal University.
Authors contributing to this journal agree to publish their articles under the Creative Commons Attribution-Noncommercial 4.0 International License, allowing third parties to share their work (copy, distribute, transmit) and to adapt it, under the condition that the authors are given credit, that the work is not used for commercial purposes, and that in the event of reuse or distribution, the terms of this license are made clear. With this license, the authors hold the copyright without restrictions and are allowed to retain publishing rights without restrictions as long as this journal is the original publisher of the articles.