Outlaws of the Marsh: Confucianism Inside and Swordsman Outside ——The Development of Swordsman and Confucianism Culture in Outlaws of the Marsh
Abstract
Outlaws of the Marsh not only presents a world of Jiang-hu (literally rivers and lakes, term which refers to the environment where the martial artists live) for the public, but also presents a cultural complex, including rangers, Confucianism, Buddhism and Taoism. Among them, the "righteousness" of ranger culture and the "loyalty" of Confucian culture are the main body of Outlaws of the Marsh. The combination of overt and covert constructs a Jiang-hu of "Outlaws of the Marsh" for readers.References
[1] Sima Qian. Records of the Historian[M]. Beijing: China Publishing House, 1959.
[2] Han Yunbo. On the basic characteristics of Chinese chivalrous culture[J]. Journal of Southwest Normal University (Philosophy and Social Sciences), 1993; (1): 104-110.
[3] Shen Yuwen, Sha Jingjing. Development and Contemporary Significance of Neo-Confucianism in Song and Ming Dynasties[J]. Anhui literature, 2008; (7): 373-374.
Authors contributing to this journal agree to publish their articles under the Creative Commons Attribution-Noncommercial 4.0 International License, allowing third parties to share their work (copy, distribute, transmit) and to adapt it, under the condition that the authors are given credit, that the work is not used for commercial purposes, and that in the event of reuse or distribution, the terms of this license are made clear. With this license, the authors hold the copyright without restrictions and are allowed to retain publishing rights without restrictions as long as this journal is the original publisher of the articles.
