Application of Observation in Modern Landscape Design
Abstract
“Elephant†problem is the essence of traditional Chinese culture, and “object observation†is a typical aspect of the study of “elephant†problem, containing the transformation thought from “nature to artificialâ€, which is not only a process of understanding, but also a creative process.â€Watching objects and taking images†reflects that when people directly observe and feel things directly, they do not stick to things, but go to refine things and summarize things, so as to create things.This ability to extract and generalize is particularly suitable to inherit and learn from in landscape space design.Therefore, the study of “object observation and image taking†plays a very important reference role in how to observe and observe nature, express the nature and use the elements of nature in landscape design and creation.References
[1] Ye Lang History Outline of Chinese Aesthetics, Shanghai: Shanghai People’s Publishing House, 1985, p. 75.
[2] Li Xiaoye.The characteristics of visual thinking in Zhouyi [J].Journal of Tonghua Normal College, 1997 (01): 19-22.
[3] Zhang Shanwen, Huang Shouqi.—— read the Book of Changes [J].Fujian Forum, 1981 (02): 74-82.
[4] Dynasty Yuan.The View and Image: the basic way of artistic creation [J].Northern Theory, 2004 (03): 51-53.
[5] Zhang Lei, Zou Guangtian.Research on Landscape Image Creation on Prototype Theory [J].Chinese Garden, 2014,30 (05): 40-43.
[6] (Day) by Haruki Murakami.Lin Shaohua translation.Border · Near border [M].Shanghai: Shanghai Translation Publishing House, 2012
[7] Zhu Guangya.The Topological Relationship in Chinese Classical Garden [J].Journal of Architecture, 1988 (08): 33-36.
[8] Liu Binyi, Zhang Ting.Landscape spatial sequence organization based on visual perception [J].Chinese Garden, 2010,26 (11): 31-35.
[9] Tingting Liu.Modern Landscape Theory and Methods [J].Modern gardening, with the 2017(17):134.DOI:10.14051/j.cnki.xdyy.2017.
[10] Gao Xuehua.Application of “viewing†in product design [J].Industrial Design, 2020 (09): 68-69.
Authors contributing to this journal agree to publish their articles under the Creative Commons Attribution-Noncommercial 4.0 International License, allowing third parties to share their work (copy, distribute, transmit) and to adapt it, under the condition that the authors are given credit, that the work is not used for commercial purposes, and that in the event of reuse or distribution, the terms of this license are made clear. With this license, the authors hold the copyright without restrictions and are allowed to retain publishing rights without restrictions as long as this journal is the original publisher of the articles.
