On the Generation and Development of Tibetan Folk Music -- From the Perspective of Geography and Digital Musicology
Abstract
As a symbol to express human emotion, music has a close relationship with human production activities. From the birth of the music to now, accumulated a lot of music text, digital humanities research perspective projection in Tibetan music, using the theory and methods of digital human, the development and research of Tibetan music feature and style, to explore the regional characteristics of Tibetan music show and spirit connotation, so as to reveal the Tibetan music contains the humanities spirit, To further understand the spiritual world of Tibetan ethnic music, realize the integration of traditional Tibetan folk music with modern science and technology, and promote the three-dimensional visualization of traditional Tibetan ethnic music.References
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