Xiao Hong: A Flower Blooming in the Mire

  • Letian Wen Hubei Institute of Fine Arts
Article ID: 2696
154 Views, 41 PDF Downloads
Keywords: Tales of Hulan Riverï¼›The Field of Life and Deathï¼›Enthusiasmï¼›Tragic destiny

Abstract

Xiao Hong is one of the four most talented women of the Republic of China in the modern era, and is known as “the goddess of literature†of the 1930s. Xiao Hong can be said to be a female writer with a unique artistic style at that time. In terms of literary creation, her works contain a mixture of sad and happy emotional tone as well as a rigid and soft language style. Xiao Hong’s writing is fresh and natural because she believed in beauty even though she was traumatized. Xiao Hong’s works are mostly self-referential, and her way of writing is unique in that she does not write in the usual way of thinking, but describes everything she is familiar with in an extremely natural and unfamiliar language. She refuses to be mediocre and always stands alone. With her profound understanding of world affairs, she has created a moving flower in the mud of the poor feudal north.

References

[1] Xiao Hong:Tales of Hulan River,Tianjin People’s Publishing House.

[2] Su Manxia.Critical undercurrent under calm narrative——On the feminist writing of March in a Small Town[J].Journal of Shunde Vocational and Technical College,2019,17(03):72-76.

[3] Xiao Hong:The Field of Life and Death,Tianjin People’s Publishing House.

[4] Zhan Jie.On the tragic fate of women in Xiao Hong’s The Field of Life and Death and its modern significance[J].Masterpiece appreciation,2019(18):82-84.

Published
2022-03-13
How to Cite
Wen, L. (2022). Xiao Hong: A Flower Blooming in the Mire. Learning & Education, 10(5), 117-118. https://doi.org/10.18282/l-e.v10i5.2696