An Analysis of Reception Aesthetics of China’s “Co-productions”

  • Li Zhan School of Communication,Nanchang Institute of Technology
Ariticle ID: 2278
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Keywords: China’s “Co-productions”, Reception aesthetics, The analysis

Abstract

The development of co-productions between Hong Kong and the mainland has always been accompanied by political, economic, cultural and other factors of traction, and has also brought different degrees of influence to the aesthetic presentation of co-productions. After CEPA, Hong Kong filmmakers began to “go north†with their mature film production experience and are ready to show their skills in the vast mainland market. Similarly, there are various aspects of the Hong Kong film industry chain. The policy was issued so that the co-production of the two places was formally incorporated into the national system.

References

[1] Qiu Mingzheng, Zhu Liyuan. A small dictionary of aesthetics[M], Shanghai Lexicographical Publishing House, 2004:227.

[2] Zhang Li. Research on the Co-production of Ancient Costume Films between Hong Kong and the Mainland (1979-2012) [D]. Nanjing Normal University, 2014.

[3] Peng Wanying. Research on the Creation and Characteristics of Domestic Fantasy Movies[D]. Zhengzhou University, 2018.

[4] Wang Xiaojuan.On the Breakthrough and Transcendence of Youth Movies[J].Appreciation of Masterpieces,2013(25):108-111.

Published
2021-09-16