To Explore the Singing Skills of the Ancient Poetry Art Song “Night Mooring at Maple Bridgeâ€
Abstract
Since modern times, most composers have chosen ancient poetry as their theme for music creation. The author selects an art song “Night Mooring at Maple Bridge†created by the famous composer Mr. Li Yinghai as an example, and analyzes the problems that should be paid attention to and the solutions when singing the art songs of ancient Chinese poetry in combination with his years of practical experience in university singing, so as to provide help for the future vocal music study.References
[1] Hao Jianhong. On the Concept of Chinese Ancient Poetry and Art Songs[J]. The Voice of Yellow River. Issue 9, 2007
[2] Kou Hongxia. The Artistic Characteristics and Singing Style of Li Yinghai’s Ancient Poetry and Artistic Song[D]. Hunan Normal University,2011: 1-59
[3] Qin Dexiang. The Rhythm Form and Characteristics of Recitative Music -- Taking Six Recitations of Night Mooring at Maple Bridge as an Example. Art of Music,2004(2): 32-34
[4] Liao Hong. An Interpretation of the “Beauty of Meaning, Sound and Form†in Poetry Translation -- Appreciation of the Tang Poetry at Night at Maple Bridge by Xu Yuanchong in English[J]. Sichuan: Journal of Panzhihua University,2006,(2):78-85
[5] Kenan Cheng. The moon falls and the sky is full of frost. The charm of Chinese classical poetry and art songs from “Night Mooring at Maple Bridge†[J]. Large stage, 2010 (2) : 132
[6] king. Poetic Music and Sentiment -- On the Aesthetic Implication of the Art Song “Night Mooring at Maple Bridgeâ€[J]. Journal of Hunan University of Science and Technology.2008(1):45-46
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