Bridging the East and the West: My Reflection on Leehom Wang’s Speech

  • Le Wang School of Chinese Language and Literature, Southwest University for Nationalities
Article ID: 2053
62 Views
DOI: https://doi.org/10.18282/l-e.v9i5.2053
Keywords: World pop music, East-West soft power exchange, Leehom Wang

Abstract

In his speech at Oxford University, Leehom Wang pointed out the current situation of soft power cultural exchanges between the East and the West, and proposed three solutions. At the same time, he also put forward the concept of constructing world popular music, suggesting that the Chinese music world has real connotation, and music with Chinese elements improves market competitiveness and takes a place on the stage of world music.

References

[1] Boxi. Chen. The Expression of Chineseness and Americanness in Chinese Popular Music: A Comparison of ABC Pop Stars Wang Leehom and Vanness Wu[J]. Asian Music, 2012, 43(2) : 71-87.

[2] Taylor Timothy D. Global Pop:World Music, World Markets[M]. Taylor and Francis, 2014

[3] Yang Jin. Re-investigation of Agate Rhyton in the Perspective of East-West Cultural Exchanges[J]. Sogang Journal of Early Korean History, 2019, 32 : 745-769.

Published
2021-05-19
How to Cite
Wang, L. (2021). Bridging the East and the West: My Reflection on Leehom Wang’s Speech. Learning & Education, 9(5), 131-132. https://doi.org/10.18282/l-e.v9i5.2053
Issue
Vol. 9 No. 5 (2020)