Bridging the East and the West: My Reflection on Leehom Wang’s Speech
Abstract
In his speech at Oxford University, Leehom Wang pointed out the current situation of soft power cultural exchanges between the East and the West, and proposed three solutions. At the same time, he also put forward the concept of constructing world popular music, suggesting that the Chinese music world has real connotation, and music with Chinese elements improves market competitiveness and takes a place on the stage of world music.References
[1] Boxi. Chen. The Expression of Chineseness and Americanness in Chinese Popular Music: A Comparison of ABC Pop Stars Wang Leehom and Vanness Wu[J]. Asian Music, 2012, 43(2) : 71-87.
[2] Taylor Timothy D. Global Pop:World Music, World Markets[M]. Taylor and Francis, 2014
[3] Yang Jin. Re-investigation of Agate Rhyton in the Perspective of East-West Cultural Exchanges[J]. Sogang Journal of Early Korean History, 2019, 32 : 745-769.
Authors contributing to this journal agree to publish their articles under the Creative Commons Attribution-Noncommercial 4.0 International License, allowing third parties to share their work (copy, distribute, transmit) and to adapt it, under the condition that the authors are given credit, that the work is not used for commercial purposes, and that in the event of reuse or distribution, the terms of this license are made clear. With this license, the authors hold the copyright without restrictions and are allowed to retain publishing rights without restrictions as long as this journal is the original publisher of the articles.