The reasons for the constant changes in the female ideal beauty during ancient China
Abstract
In different periods in ancient China, the origin and evolution of female beauty ideals were quite different. To figure out the reasons for that, we analyze some historical books, research documents, and archaeological discoveries on female beauty. In this study, we argue that female ideal beauty in ancient China basically changed with the preferences of those in power at that time. However, what cannot be ignored is the wisdom of ancient Chinese women who catered to those in power but tried to pursue beauty outside the crevices of social survival.References
[1] Shen C. Research on ancient Chinese Clothing (in Chinese). Beijing: The Commercial Press; 2011. p. 1–100.
[2] Wang S. A brief analysis of the evolution of ancient Chinese women’s aesthetic taste (in Chinese). Journal of Tianjin Academy of Fine Arts 2018; (3): 97-100.
[3] Xu Y. Women’s pursuit of beauty from Chinese classical poetry (in Chinese). Youth Literator 2019; (2): 113-115.
[4] Wang F. Chinese traditional ceremonial dress and its system (in Chinese). Fashion Guide 2018; 4-12.
[5] Zheng T, Xie H, Yan L. A study on the difference and inheritance of empress’s ceremonial crowns in Tang and Song dynasties. Journal of Silk 2020; 90-95.
[6] Luo Y. Study on ceremonial costume of Han and Tang dynasties Chinese [PhD thesis]. Suzhou: Soochow University; 20111. p. 1-177.
[7] Zuo H. On the evolution of female aesthetic custom in the early and late Tang Dynasty (in Chinese). Journal of South-Central University for Nationalities (Humanities and Social Sciences) 2017; 37(4): 161-165.
[8] Yu J. Study on the relation between state sacrificial rites in the Tang Dynasty and the political destinies of protocol officers. Journal of Xianyang Normal University 2013; 28(5): 107–111.
[9] Bai L. Study on women in pre-Qin Dynasty: An investigation and analysis from the perspective of social gender (in Chinese) [PhD thesis]. Tianjin: Nankai University; 2009. p. 1-183.
[10] Huang Z. Tangdai yi-shi-zhu-xing yanjiu. Beijing: Zhonghua Book Company; 2013; p. 1-100.
1.jpg)
